In my recent article on Frank O. Gehry's Venice Beach House I used an image from the blog "What Do I Know". During some correspondence with the author of "What Do I Know" he mentioned the Walt Disney Concert Hall; one of Gehry's most iconic creations. While researching and writing my recent articles on Gehry and also on two of his buildings, the Venice Beach House and The Hotel Marques de Riscal, I had come across the Concert Hall but I had not looked closely at it. The mention of it ...
WALT DISNEY CONCERT HALL
111 South Grand Avenue, Los Angeles, CA 90012
The Walt Disney Concert Hall is one of the venues on the campus of the Music Center, Performing Arts Center of Los Angeles County and is home to the Los Angeles Philharmonic Orchestra. Construction of the Walt Disney Concert Hall was not without its problems. The project was initiated in the early 1990's with a donation of $50M from Lillian Disney, widow of Walt Disney. 1992 to 1996 saw the construction of the underground garage at a cost of some $110M. The garage construction was paid for by Los Angeles County bonds and the county suffered through some financial problems as a result of delays in construction of the hall itself; the county had planned on the use of parking revenue to repay debts related to construction of the garage. Fundraising continued through most of the 1990's; construction cost estimates skyrocketed and eventually plans for stone cladding on the building gave way to plans for cheaper metal cladding [though forced on the project that decision is ultimately what gave rise to the building being the magnificent structure it is today] and groundbreaking for the building eventually took place in 1999. The project was completed in 2003 at a total cost of around $274M.
Builders Exchange Magazine carries the following quote from "Gehry's goto guy" Terry Bell, a project architect for Gehry Partners LLP.
"The lack of right angles and the overall sculptural quality make the hall the most challenging of all Frank's buildings ... Everything about the anatomy is unusual. It's an enormously complicated structure because of the curved shapes and intricate joinery. The aesthetic goals with the exterior wall, all the acoustic issues, there is so much that is atypical. This is in no sense a conventional building."
California Institute of the Arts, the Roy and Edna Disney/CalArts Theater known as REDCAT and two outdoor auditoriums featuring a children's amphitheater for 300 and a smaller space that can accommodate 120. In addition to the auditoria the complex features multiple atrium lobbies, BP Hall for pre-concert events, a Founders Room, the Box Office and a Gift Shop. Also within the complex is celebrity chef Joachim Splichal's fine dining restaurant Patina.
The interior of the complex features state-of-the-art acoustics in the hardwood-paneled main auditorium. The acoustic and visual characteristics of the main auditorium were the result of a complex collaboration between Nagata Acoustics and Gehry Partners LLP and was designed to allow more flexibility while retaining the acoustic characteristics of a more traditional "shoebox" style concert hall. On the subject of acoustics Gehry stated that
"Collaborating with [Music Director and composer] Esa-Pekka and Yasuhisa Toyota [Nagata Acoustics] on the design of the hall was an invaluable part of our work from the very beginning. Their inspiration and vision helped us to realize what we believe will be one of the finest concert halls in the world."
It seems like Gehry and Toyota got it right as following the opening of the complex Esa-Pekka Salonen observed that
"Everyone can now hear what the L.A. Phil is supposed to sound like."
With Douglas-Fir finished walls and Oak flooring the auditorium is not only highly praised for its acoustics but also looks marvelous [though I have to confess that the soft furnishings are not to my personal taste - check out one of the interior shots below]. The main auditorium also features a 36-foot-high rear window and skylights [that had to be lifted to the roof by helicopter] that allow in natural light to enhance daytime concerts.
In 2004 the final feature of the main auditorium was completed, the concert organ. Designed by Los Angeles organ designer Manuel Rosales and Gehry the organ went through a very fluid design process. Gehry was responsible for the form and appearance of the organ with Rosales dealing with the sound design. Many of the early designs proposed by Gehry were simply not musically possible but eventually Gehry came up with a viable proposal that Rosales described as being "like a logjam kind of thing turned sideways". The organ debuted in August 2004.
In 2005 modifications had to be made to the exterior of the Founders Room. Unlike most of the exterior surfaces which had a matte finish the Founders Room exterior was highly polished. That finish together with the parabolic effect of some of the walls caused reflected sunlight to result in extremely high temperatures in some nearby condos and "hot spots" on sidewalks that reached as high as 140 °F. Following requests from local building owners and residents the polished surfaces were sanded to dull them and reduce glare.
Gehry's buildings are often polarizing; his deconstructivist style is either loved or hated by most, there does not seem to be much middle ground. I tend to be a supporter, I find the style interesting, striking and aesthetically pleasing and judging by the amount of material out there relating to the Walt Disney Concert Hall I am not alone. The "creative commons" community on Flickr has posted a huge number of high quality images; I grabbed a few and as always provide attribution by a link to the source image but I want to give a shout out to all, there are a huge number of really great images and for those of you who want to see more than I am hosting here just follow this link. There are also quite a few videos on Youtube; I selected 4 that I thought gave a broad spectrum of what was out there. They include an interview with Gehry and tourist videos of the exterior, interior and a tour guide chatting about the concert organ and the acoustics.